REMINDER FROM BACKSTREET RECORDS:
ORDER BY MIDNIGHT TOMORROW FOR PRE-CHRISTMAS DELIVERY!
As we do every year, we're guaranteeing pre-Christmas arrival for all orders placed by December 10 that are shipping to U.S. destinations. So if you're still in need of some Boss holiday goodies from Backstreet Records, Tuesday is the "Standard Shipping" deadline. (We can't guarantee arrival times outside of the U.S., due to customs, but we'll be working hard to ship orders out to everyone as quickly as possible.)
If you wind up ordering after tomorrow and need something prior to Christmas, you can always select "Expedited Shipping" to have it in one or two days within the U.S... but ordering by midnight Tuesday will save you some serious dough on postage.
You'll find new Springsteen books, calendars and more in our Latest Additions section, and here are some more categories to peruse:
Thanks for shopping with us!
- December 9, 2013
YOU'RE GONNA NEED BIGGER ENVELOPES
Announcing the Clarence Clemons Stamp Petition Drive
Today, December 7, marks the anniversary of Clarence Clemons' final public appearance with Bruce Springsteen & The E Street Band, at The Carousel House in Asbury Park, NJ, filmed for Songs from The Promise. As performed that night, it may be a "Blue Christmas" without him — and Clarence remains the E Street Band member most closely tied to Christmas in our minds — but we want to celebrate the immense appreciation for all of the joy, soulfulness and inspiration that Clarence's work has provided and will still provide for as long as there are Springsteen fans on this planet.
In that spirit, Backstreets.com and contributing writer Shawn Poole are co-sponsoring a petition to have Big Man's enduring legacy honored with a U.S. postage stamp. The U.S. Postal Service has recently honored Ray Charles, Johnny Cash, and Lydia Mendoza in their Music Icons stamp series. With Clarence's January 11 birthday and New Jersey's first official "Clarence Clemons Day" also right around the corner, our goal is to get as many signatures as we can over the next month or so. When Clarence Clemons Day arrives, we'll present the signed petitions to the U.S. Postal Service’s Citizens' Stamp Advisory Committee.
Please click here to sign the petition. We welcome signatures from Clarence’s fans and friends all over the globe, but since we're petitioning the U.S. Postal Service to create a stamp, the more U.S. citizens who sign, the better. After you sign, help spread the word via Facebook, Twitter, etc. If even a fraction of Clarence's many fans support this drive, it's got a shot. The Socrates of the Saxophone, the Kahuna of Surf and Soul, the Prince of Postage... let's make it happen.
- December 7, 2013
NEW JOBONANNO XMAS SINGLE BENEFITS LITTLE KIDS ROCK
"I always wanted to write and record a Christmas tune," Jobonanno tells us, "but I usually started to think about it too late in the season. This year I said to myself the world needs a new upbeat, festive Christmas tune and set my goal."
With production by Rob Lebret, one of Springsteen's recent engineers, "the Christmas magic started to happen."
The Jersey Shore's Jobonanno & the Godsons of Soul have released their first Christmas song, "Your Love is All I Want for Christmas," available for download now from cdbaby.com and iTunes.
All net proceeds from the single go to Little Kids Rock. Jobonanno will be playing the song with Gary U.S. Bonds at the Count Basie Theatre on December 22, when Bonds and Darlene Love and others team up for A Souled Out Christmas, also benefitting Little Kids Rock.
- December 6, 2013
NELSON MANDELA, 1918-2013
Nelson Mandela, as quoted in the book Sun City…The Making of the Record:
"During my lifetime I have dedicated myself to this struggle of the African people. I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die."
Steve Van Zandt, speaking at the 1985 special United Nations reception for Artists United Against Apartheid: "...though the black South Africans' needs are great, they do not ask for our charity; though the black South Africans' suffering is horrifying, they do not ask for our pity. All they ask is that we look at them and see them, because by seeing them we see ourselves. Their struggle is our struggle. Because their struggle is not against men — that is a temporary condition — their struggle is against a disease, a disease called racism and bigotry. And that is a disease that we are all confronted with every day of our lives, in every country of the world.... We must reach inside and find the strength to work together to stop it once and for all. Because only together can we overcome this disease."
Bruce Springsteen and the E Street Band's July 3rd performance of "Land of Hope and Dreams" was dedicated to Mandela. Last time they performed in Africa, in October 1988, Mandela was still a political prisoner in Cape Town. In nearby Zimbabwe, Springsteen spoke to the crowd: "I know they processed 15,000 South African visas for the show tonight, and I want to say welcome, I'm glad you came... There's a lot of young guys out there that are conscription age for the South African army. I guess there can´t be much worse than living in a society that’s at war with itself, and being required to support that government.... My prayers are with the young men here that you can use your hearts and voices in the struggle of the dignity and freedom of all the African people... because whether it's the systematic apartheid of South Africa or the economic apartheid of my own country, where we segregate our underclass in ghettos of all the major cities... there can't be no peace without justice; and where there is apartheid, systematic or economic, there is no justice; and where there is no justice, there is only WAR!"
Less than two months from now, Springsteen and the E Street Band will play their first-ever shows in South Africa, where apartheid was officially abolished in 1990 and Mandela democratically elected as the first black South African President in 1994.
- December 5, 2013 - stills from the video for Artists United Against Apartheid's "Sun City" - thanks to Brucebase and Johanna Pirttijärvi for the Zimbabwe transcription
THIS IS RADIO JAKE
Celebrating the release of his Embracing Light EP, you'll find Jake Clemons not only on tour in Ireland this weekend, but also taking to the airwaves, both terrestrial and satellite. On Sunday night, December 8, Jake will be the guest host on Anything, Anything, Rich Russo's killer freeform program. Rich tells us, "There will be in depth interview segments, songs he picked — including what may be the worst song ever — as well as songs from his new EP."
Anything, Anything airs at the following times on the following stations: 107.1 The Peak, Sunday 9pm-11pm Eastern; 95.9 The Rat, Sunday 10pm-12am; 105.5 WDHA, Sunday 11pm-1am. All of those stations are available to stream online, as well as on phones via the TUNE IN app.
Jake has also recorded a Guest DJ spot for E Street Radio, which debuts tomorrow, Friday, December 6, at 4pm Eastern. He's spinning some of his favorite songs to play live with the Boss, as well as some of his own songs from his new EP. Probably nothing from Jimmy Nelson's Instant Ventriloquism, but tune in to find out. Encore broadcasts will be Saturday 12/7 at 12am and 8am, Monday 12/9 at 4pm, Tuesday 12/10 at 12am and 8am.
- December 5, 2013 - photographs courtesy of Rich Russo
JAKE CLEMONS EMBRACES LIGHT
And along the way to his new EP, he embraces lessons from the greatness of Bruce Springsteen and the E Street Band
"It's sort of a kind of a bizarre scenario to be in when people are familiar with you, but not necessarily familiar with your work," Jake Clemons says of being back on the road with his own band — playing his own music in clubs, rather than E Street classics in stadiums. "We don't do a lot of covers, so you're hoping that people can catch it and believe it on the first delivery. But everyone's just been so generous and open at the shows."
Jake is touring Ireland as we speak, playing Dublin last night and Kilkenny tonight, with more stops throughout the country this week and next. He also has a new release out this week, Embracing Light, and he spoke with Backstreets just as he wrapped it up in mid-November.
"We just finished tracking, and it's exciting — it's been a hard, long process because I was gone for a couple of years," he laughs, referring to the massive Wrecking Ball excursion that kicked off in early 2012. "I was having my guitar and a microphone and interface in my hotel rooms over the last two years, just tracking songs and sending them over for demos and getting the band to work on them while I was gone. And it's such a different process when the band's together, so we finally put the finishing touches on it, and it feels great."
After streaming the lead single "You Must Be Crazy" at the end of the summer, Jake officially released his new, five-track EP Embracing Light yesterday. The mp3 download is available now from Amazon, and a CD version (shipping December 12, with immediate download) can be pre-ordered via jakeclemons.com. Of course Jake breaks out the saxophone, but he's in frontman mode on the EP, singing and songwriting, playing guitar and keyboards, along with his band (Jason Crowgey, Ryan Gleason, Jake Hull, Brett Mayer, Matt Musty, and Michael Westbrook).
While two years on the road with Bruce may have delayed his recording plans, the experience can only be a good thing for Jake's own work: "I have to tell you that when [my band] got back together for rehearsals after such a long tour, there were certain parts of my role that they were unrecognizable to those guys. It was like, 'Whoa.' Like, 'What happened?' In a good way."
You mean there was a thing or two to learn on the road with the legendary E Street Band? "I feel like my brain has not gotten any bigger, and maybe a lot of things that I knew before have been displaced," Jake laughs. "But again, only in the best ways. From the experience as a horn player to studying Bruce every night as a frontman, and understanding how he weaves shows together... what are the elements that are important? And where is the value of the bandleader? How to rely on certain members of the band for certain things... just a huge, huge learning experience."
The lessons didn't just come from Bruce. "Everyone on stage is so brilliant, and it's like being able to stand in the... I don't know, the chamber of greatness," Jake laughs. "I feel sometimes like I'm standing in the court on Mount Olympus, you know? Amongst all these statues of gods... and it's kind of like, 'Wow, I can't believe I'm able to be here.' And what I'm able to garnish from those experiences. The horn section alone: Those guys are all masters of that element. They're experienced. There's not a better horn section, I don't believe, in the world. These guys were picked from the greatest, and they're phenomenal.
"So for me it was a very humbling experience," Jake continues, "and they're all really good, kind, and gracious... basically welcoming me as a novice in terms of horn section experience, for that role. I mean, I was used to being a featured player, but that dynamic was different, and I'm so grateful for it. The learning experience in that sense has made me a much sharper player."
After the Wrecking Ball tour's summer European leg, Jake played a few of his own shows in the northeast before reconvening with the E Street Band to play South America. "That was so great to be able to apply so many lessons I've learned and then go back and brush up again. I often refer to it as the Rock 'n' roll University, and Bruce is the dean. And to be able go out and apply that experience myself is huge."
Those pearls of wisdom haven't just been restricted to the stage. Talking about his new release, Jake says, "It's a five song EP. It's a little bit brief in that sense. But for right now, it's the statement that we wanted to make. We recorded a lot of songs for this record."
Ah, plenty of outtakes — another page from the Springsteen playbook.
"Like I say, I've learned a lot! The thing is, in January 2012, I was ready to record my next record. And that obviously went on hold. Thank goodness it did, because I was able to spend a lot of time with Bruce talking about the process of putting a record together. And he shared so much with me about his own process, things that I could apply to my own experience: what a record should be about, having a theme, and finding the depth of your statement. Before that, I thought you put a bunch of good songs and you put them on a record and put 'em out. This is a whole different level. And I'm learning that. I'm applying that very much to my process now. I've taken so many notes on it. There's pages in notebooks that are like lessons. 'Today's lesson....'
"And whether Bruce shared something directly or not, a lot of stuff is stuff that I, just from watching, I'm learning... how to be great. If you want to be great, you have to know what greatness looks like. Or what it sounds like. And I've been entrenched in the midst of that for the last couple years."
Download Embracing Light from Amazon, or pre-order the CD here
- December 4, 2013 - Christopher Phillips reporting - photographs by Geoff Robinson
24-HOUR SALE: GET IN THE HOLIDAY SPIRIT WITH GARRY'S XMAS CD
Nashville-based Garry Tallent gathered a host of Americana music's most noted singers, songwriters, and musicians, for the To Kate: A Benefit For Kate's Sake CD. Fourteen holiday tracks from artists inclding Buddy & Julie Miller, Joe Ely, Jason & the Scorchers, Raul Malo, Steve Earle & Allison Moorer, and John Prine. It's a mix of new, original Christmas songs along with some different takes on well-known favorites — great stuff. And Garry himself produced and played bass on half of the tracks. Today only, get the CD for 25% off: usually priced at $17, on sale today at Backstreet Records for $12.75. No coupon necessary.
- December 4, 2013
CHIMES OF FREEDOM FLASHIN' FOR 65 YEARS
Commemorating Human Rights Day and Springsteen’s work with Amnesty
A week from today — next Tuesday, December 10 — will mark the 65th anniversary of the United Nations' Universal Declaration of Human Rights. On that date, Human Rights Day will once again be recognized around the world. It's also been 25 years since Bruce Springsteen began working with Amnesty International, the venerable organization that investigates and campaigns peacefully against governmental human rights violations and political imprisonment all over the planet. Springsteen's public support of Amnesty's work began with the 1988 Human Rights Now! concerts, when he and the E Street Band joined Tracy Chapman, Peter Gabriel, Youssou N’Dour and Sting in a globe-hopping tour to promote awareness and activism on behalf of the organization. Bruce's ties to Amnesty International continue to this day; just this past July, Springsteen and Patti Scialfa were among more than 100 well-known musicians who signed an open letter of support coordinated by Amnesty for the imprisoned members of Russian feminist punk-rock group Pussy Riot.
Amnesty International has commemorated the Declaration of Human Rights' anniversary with ¡Released!, a series anchored by a multi-artist 6-DVD box set along with several companion CD sets and digital-audio downloads, including many performances by Bruce Springsteen. Almost all of this material is seeing its first official release in any home video and/or audio format. Net proceeds from all sales will benefit Amnesty International.
On Tuesday, December 10, ¡Released! series producer Martin Lewis will be at the Museum of Modern Art in New York to present a special screening of Amnesty concert highlights from 1986 through 1998. Lewis also co-created and produced the Secret Policeman's Ball comedy and music galas in support of Amnesty in 1970s/'80s London. [Below, he and Bruce check out those DVDs in Munich earlier this year.]
The MoMA presentation will include several Springsteen performances, both with and without the E Street Band, beautifully restored on the big screen. Also shown at the event will be Light a Candle! The Story Behind "The Human Rights Concerts," the new 40-minute documentary featuring excerpts from an interview with Bruce conducted last May. Starting today, tickets to this special Human Rights Day screening in New York can be purchased online here. (Non-MoMA-Members can simply click "Bypass Login" to purchase tickets. A small number of tickets will be set aside for day-of-event sales even if advance tickets sell out.)
Sirius/XM’s SXM Comes Alive channel (available online and on select SiriusXM radios only) will observe Human Rights Day, too. Recorded performances from the 1986 A Conspiracy of Hope Giants Stadium concert, the 1988 Human Right Now! Tour finale, the 1990 An Embrace of Hope concert in Chile, and the 1998 The Struggle Continues... Paris concert will be broadcast throughout the day on December 10, including performances from Bruce Springsteen & the E Street Band as well as Little Steven & The Disciples of Soul.
A special YouTube page of official video clips from and related to the ¡Released! DVD box is now posted. Here are direct links to more of our favorite Springsteen-related clips:
Shout Factory, the North American distributor of the ¡Released! DVD box, also has posted this clip of Little Steven accompanying Bob Geldof on a version of Bob Marley's “Redemption Song” from the 1986 A Conspiracy of Hope concert broadcast from old Giants Stadium.
Finally (and now for something not-quite-completely different), here’s a great clip that coincidentally and hilariously links Bruce's involvement with Amnesty back to those Secret Policeman's Ball galas: Monty Python's Michael Palin (with a little help from fellow Python member John Cleese) relates the ripping yarn "Biggles Goes to See Bruce Springsteen." (Click here for more on Biggles.)
A convenient listing of full details for all audio and video items in the ¡Released! series in all available formats can be found online at CryBabyCry.biz. More details and the history behind the Amnesty concerts also can be found at HumanRightsConcerts.com.
- December 3, 2013 - Shawn Poole reporting - photograph by Len Wramisti
Today only, everything at Backstreet Records is on sale. Use the coupon codes below to save... or save more!
Order $30 or more and save 10%: coupon code BADORGOOD10
Order $60 or more and save 15%: coupon code BADORGOOD15
As usual, the official Springsteen wall calendar for the new year is one of our most popular items, the 2014 edition once again a Thrill Hill production with photography from Danny Clinch.
And there's whole lot more Boss goodness on our shelves: check our Latest Additions page to see what's new, or peruse by section, including: Concert Shirts, Springsteen CDs, Covers/Tribute CDs, Related Artist CDs, Vinyl, DVDs, Books, Songbooks & Sheet Music, Magazines, Backstreets Back Issues, and Backstreets Merchandise (including shirts, stickers, and baseball caps).
Order $30 or more and save 10%: coupon code BADORGOOD10
Order $60 or more and save 15%: coupon code BADORGOOD15
You'll be prompted for a coupon code at checkout, when the discount will be applied across your entire order. Sale ends Monday night, December 2, at midnight.
As always, we thank you for getting your goods through us, your independent one-stop Boss shop for 33 years.
- December 2, 2013
"WHERE WILD ANGELS DIE IN AN EVERLASTING KISS"
Even if you don't have the $70K - $100K that Sotheby's estimates it'll sell for at auction this week, you can still take a peek at this 1974 handwritten lyric sheet that presages "Born to Run." On the road to Springsteen's classic LP title track from 1975, you'll find some interesting test-driving: "This town'll rip the
bones from your back... but you can leave with me if you got the guts to come."
Richard Austin, head of the auction house's books and manuscripts department, tells the New York Times: "Bruce Springsteen manuscripts don’t come up often... There have been a few fragments over the last five to 10 years, but nothing of this importance. There are verses here that will be unfamiliar even to hardcore fans." "I looked out cross my hood and saw the highway buckle neath the wheels of my gold Chevy 6," anyone? Click the image above for an even closer look.
Sotheby's puts the manuscript up for auction this Thursday, December 5, at 10am in New York.
- December 1, 2013
NEW ALBUM OFFICIAL: MAN,
THE DOPE'S THAT THERE'S HIGH HOPES
They couldn't go back to Australia without a new album, right? Right. On January 14, less than two weeks before Bruce Springsteen and the E Street Band set out for South Africa, Australia, and New Zealand, Springsteen will release his 18th studio album, High Hopes.
The title track is one with a history in Springsteen's repertoire, a Tim Scott/Havalinas cut that Bruce first tackled with the E Street Band in '95, then revisited live in Australia early this year. In the album's liner notes, Springsteen describes the cover — resurrected at Tom Morello's suggestion — as a catalyst for this new album. Bruce states that he was already "working on a record of some of our best unreleased material from the past decade," but then "Tom and his guitar became my muse, pushing the rest of this project to another level."
So this is not Tracks 2. Still, "High Hopes" isn't the only song fans have heard before; as Springsteen writes, "Some of these songs... you'll be familiar with from our live versions. I felt they were among the best of my writing and deserved a proper studio recording." A full half of the album's 12 songs have been performed live, also including "American Skin (41 Shots)," "The Wall," "The Ghost of Tom Joad," Saints cover "Just Like Fire Would," and Suicide cover "Dream Baby Dream." Only one of them, however, "The Ghost of Tom Joad," had been released in a studio version already, and that, of course, in a dramatically different form.
Enter Tom Morello. As the High Hopes "muse," Morello is all over this record, dueting on "Joad" and playing on "High Hopes," "Harry's Place" (a title known from Springsteen's Rising-era notebook), "American Skin," "Just Like Fire Would," "Heaven's Wall," "Hunter of Invisible Game," and "Dream Baby Dream."
The remaining tracks on the record are all Springsteen originals: "Down in the Hole," "Frankie Fell in Love," and "This Is Your Sword."
In addition to the Sydney studio sessions Springsteen had previously spoke about, the album was recorded in New Jersey, Los Angeles, Atlanta, and New York City, with production credit going to Brendan O'Brien, Ron Aniello, and Springsteen. The various locales and production credits reflect material dating back to sessions for The Rising. As the press release states, "Clarence Clemons, who passed away in 2011, and Danny Federici, who passed away in 2008, also appear on several songs."
|1. High Hopes
||Tim Scott McConnell
|2. Harry's Place
||no, only title known
|3. American Skin (41 Shots)
|4. Just Like Fire Would
||Chris J. Bailey
|5. Down in the Hole
|6. Heaven's Wall
||B'OB, RA, BS
|7. Frankie Fell in Love
|8. This Is Your Sword
|9. Hunter of Invisible Game
|10. The Ghost of Tom Joad
||studio, 1995; live, 2008
|11. The Wall
||Bruce Springsteen (inspired by Joe Grushecky)
|12. Dream Baby Dream
||Martin Rev and Alan Vega (Suicide)
High Hopes can be pre-ordered now. The album will be available digitally from iTunes, with tracks "High Hopes" and "Dream Baby Dream" available now as mp3s.
In the U.S., Amazon.com will carry an exclusive, limited version with a bonus live DVD: Springsteen and the E Street Band performing Born in the U.S.A. in its entirety at the 2013 Hard Rock Calling show, June 30 at London's Queen Elizabeth Olympic Park. The Amazon Bonus Limited Edition is available now for pre-order.
The video for the title track, directed by Thom Zimny, is a collage featuring photos from Danny Clinch, Australian tour footage shot by Chris Hilson and featuring Tom Morello.
Bruce Springsteen's High Hopes Liner Notes
I was working on a record of some of our best unreleased material from the past decade when Tom Morello (sitting in for Steve during the Australian leg of our tour) suggested we ought to add "High Hopes" to our live set. I had cut "High Hopes," a song by Tim Scott McConnell of the LA based Havalinas, in the '90s. We worked it up in our Aussie rehearsals and Tom then proceeded to burn the house down with it. We re-cut it mid tour at Studios 301 in Sydney along with "Just Like Fire Would," a song from one of my favorite early Australian punk bands, The Saints (check out "I'm Stranded"). Tom and his guitar became my muse, pushing the rest of this project to another level. Thanks for the inspiration Tom.
Some of these songs, "American Skin" and "Ghost of Tom Joad," you'll be familiar with from our live versions. I felt they were among the best of my writing and deserved a proper studio recording. "The Wall" is something I'd played on stage a few times and remains very close to my heart. The title and idea were Joe Grushecky's, then the song appeared after Patti and I made a visit to the Vietnam Veterans Memorial in Washington. It was inspired by my memories of Walter Cichon. Walter was one of the great early Jersey Shore rockers, who along with his brother Ray (one of my early guitar mentors) led the "Motifs". The Motifs were a local rock band who were always a head above everybody else. Raw, sexy and rebellious, they were the heroes you aspired to be. But these were heroes you could touch, speak to, and go to with your musical inquiries. Cool, but always accessible, they were an inspiration to me, and many young working musicians in 1960's central New Jersey. Though my character in "The Wall" is a Marine, Walter was actually in the Army, A Company, 3rd Battalion, 8th Infantry. He was the first person I ever stood in the presence of who was filled with the mystique of the true rock star. Walter went missing in action in Vietnam in March 1968. He still performs somewhat regularly in my mind, the way he stood, dressed, held the tambourine, the casual cool, the freeness. The man who by his attitude, his walk said "you can defy all this, all of what's here, all of what you've been taught, taught to fear, to love and you'll still be alright." His was a terrible loss to us, his loved ones and the local music scene. I still miss him.
This is music I always felt needed to be released. From the gangsters of "Harry's Place," the ill-prepared roomies on "Frankie Fell In Love" (shades of Steve and I bumming together in our Asbury Park apartment) the travelers in the wasteland of "Hunter Of Invisible Game," to the soldier and his visiting friend in "The Wall", I felt they all deserved a home and a hearing. Hope you enjoy it.
This morning's official press release from Shore Fire Media announced details regarding the album only; there has yet to be any indication of further touring after New Zealand in March.
- photograph by Danny Clinch